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Definition. Technology. Performance.Our creative multi-dimensional formats clearly convey cardiac anatomy, synchronicity and viability. You get 4D images rendered online that look like an actual heart. And, the new 4D visualization tools offer you a new perspective on volume and dimension with the assistance of Depth Color Rendering and Stereo glasses –making it look real enough to touch. |
Advanced TSIAdvanced Tissue Synchronization Imaging (TSI) provides quantification of LV synchronicity information. Time-to-peak data is derived from the simple-to-use "red light/green light" visualizations. |
9-sliceSee regional wall motion in a whole new way by slicing the left ventricle of a 4D full-volume dataset into nine equidistant short-axis views. |
Real-time Color Flow Full VolumeAssess hemodynamic information in color, in real time, in the same heart cycle. |
Cutting-edge AFIAssessing and quantifying left ventricle wall motion is easy with our Automated Function Imaging (AFI) tool, which delivers reproducible, systolic, segmental and global assessments quickly and accurately. New simplified workflow with quick tips, and an adaptive ROI provide more robust and reproducible results for the non-expert, improving speed and confidence in understanding LV function. |
Contrast ImagingGet enhanced visualization of the LV border for wall-motion analysis and ejection fraction calculations in multi-dimensional and 4D full-volume imaging. |
TTTissue Tracking provides easy recognition of regional and global wall left ventricular relaxation motion abnormalities. |
SRIStrain Rate Imaging evaluates ischemic heart disease and true analysis of a specific piece of the myocardium. |
4D LV VolumeUsing the exceptional real-time full volume image quality produced by Vivid™ 7 Dimension, the 4D LV volume tailored package from TomTec Imaging Systems can provide a full assessment of the left ventricle, free of geometric assumptions and shape, in less than a minute. These valuable clinical tools ar available on both Vivid 7 Dimension and EchoPAC. |


















